Mario Castelnuovo-Tedesco, Roberto Tascini's 'Tarantella, Op. 87a' came out on January 1, 2017. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario Castelnuovo-Tedesco, Roberto Tascini's "Mario Castelnuovo Tedesco: Works for Guitar" album is number 6 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Tarantella, Op. 87a's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tarantella, Op. 87a by Mario Castelnuovo-Tedesco, Roberto Tascini to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM | ||
El decameron negro: Balada de la doncella enamorada | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Sonata K 40 | Domenico Scarlatti, Abel Carlevaro | A Major | 2 | 11B | 138 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Aire vasco, Op. 19 | Antonio Jiménez Manjón, Andrea González Caballero | B Minor | 1 | 10A | 159 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Capricho Catalán | Isaac Albéniz, David Russell | E Minor | 1 | 9A | 91 BPM | ||
4 Pieces for 2 guitars: Allegro moderato, schezando | Anders Koppel, Jesper Sivebæk, Per Palsson, Scandinavian Guitar Duo | E♭ Minor | 1 | 2A | 106 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM |
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