Johann Sebastian Bach, Ralph Kirshbaum's 'Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude' came out on January 1, 1994. The duration of Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach - Cello Suites by Johann Sebastian Bach, Ralph Kirshbaum. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude by Johann Sebastian Bach, Ralph Kirshbaum is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 4 | 1B | 83 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée (Arr. for Mandolin by Alon Sariel) | Johann Sebastian Bach, Alon Sariel | D Minor | 2 | 7A | 82 BPM | ||
Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni "The Harmonious Blacksmith" | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 99 BPM |
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