Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace
Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron
Korngold: Violin Concerto & String Sextet
7:26 March 27, 2020
BPM
146
Key
A Major
Camelot
11B

Embed

Share Link

Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace - Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron Information

Acousticness
94%
Danceability
41%
Energy
22%
Instrumentalness
63%
Liveness
23%
Loudness
65%
Speechiness
5%
Valence
29%
Popularity
Loudness
-21.139 dB

Summary

Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron's 'Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace' came out on March 27, 2020. Since Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Erich Wolfgang Korngold, John Wilson, Andrew Haveron's "Korngold: Violin Concerto & String Sextet" album is number 3 out of 7. Based on our statistics, Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace BPM

We consider the tempo marking of Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace by Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Pieces from Shakespeare's 4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano)Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah SloaneC Major18B98 BPM
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch by Paul Hindemith, Leonard Bernstein, New York PhilharmonicSymphonic Metamorphoses on Themes of Carl Maria von Weber: IV. MarschPaul Hindemith, Leonard Bernstein, New York PhilharmonicB♭ Major36B77 BPM
Symphony No.3 in E flat, Op.97 - Symphony No.3 in E flat, Op.97 - "Rhenish": 4. FeierlichRobert Schumann, Los Angeles Philharmonic, Carlo Maria GiuliniE♭ Minor12A75 BPM
Violin Concerto, Op. 35: I. Moderato nobile by Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew HaveronViolin Concerto, Op. 35: I. Moderato nobileErich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew HaveronD Major110B98 BPM
Habanera by Emmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerHabaneraEmmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerA Major011B128 BPM
Capriol Suite: 3. Tordion by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 3. TordionPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Minor06A96 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleF♯ Major32B81 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto by Antonín Dvořák, Luzerner Sinfonieorchester, James GaffiganSuite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con motoAntonín Dvořák, Luzerner Sinfonieorchester, James GaffiganA Major011B157 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino by Paul Hindemith, WDR Sinfonieorchester Köln, Marek JanowskiSymphonic Metamorphosis of Themes by Carl Maria von Weber: III. AndantinoPaul Hindemith, WDR Sinfonieorchester Köln, Marek JanowskiE Major112B95 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9610493183135986

End: 0.9644315242767334