Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron's 'Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace' came out on March 27, 2020. Since Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Erich Wolfgang Korngold, John Wilson, Andrew Haveron's "Korngold: Violin Concerto & String Sextet" album is number 3 out of 7. Based on our statistics, Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace by Erich Wolfgang Korngold, RTE Concert Orchestra, John Wilson, Andrew Haveron to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) | Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane | C Major | 1 | 8B | 98 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 1 | 2A | 75 BPM | ||
Violin Concerto, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew Haveron | D Major | 1 | 10B | 98 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Wunderbar! (Paul, Marietta) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 3 | 2B | 81 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM |
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