"Stabat Mater: 2. Cujus animam gementem" by Gioachino Rossini, Luciano Pavarotti, London Symphony Orchestra, István Kertész was released on January 1, 1971. Stabat Mater: 2. Cujus animam gementem is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: 2. Cujus animam gementem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 2. Cujus animam gementem by Gioachino Rossini, Luciano Pavarotti, London Symphony Orchestra, István Kertész having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zu Bethlehem geboren | Traditionell, Jonas Kaufmann | G Major | 2 | 9B | 85 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12b, Divertissement. Coffee, Arabian Dance | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 86 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Ave Maria, dolce Maria - Live | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Leone Magiera, Andreas Vollenweider | F♯ Major | 4 | 2B | 83 BPM | ||
Alma del core | Antonio Caldara, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | A Major | 3 | 11B | 124 BPM | ||
Die Zauberflöte, K.620 / Act 2: Der Hölle Rache...Morden soll ich? | Wolfgang Amadeus Mozart, Cristina Deutekom, Pilar Lorengar, Gerhard Stolze, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 71 BPM | ||
Messiah, HWV 56 / Pt. 2: 36. Air: How beautiful are the feet | George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 76 BPM | ||
Silent Night | Franz Xaver Gruber, José Carreras, Plácido Domingo, Luciano Pavarotti, Steven Mercurio, Wiener Symphoniker | A♭ Major | 2 | 4B | 75 BPM | ||
Idomeneo, re di Creta, K.366 / Act 2: "Fuor del mar" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Wiener Philharmoniker, Sir John Pritchard | D Major | 3 | 10B | 119 BPM |
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