"Come down, O maid, from yonder mountain height, Op. 36/1" by Alissa Firsova, Tippett String Quartet was released on August 17, 2018. Since Come down, O maid, from yonder mountain height, Op. 36/1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Fantasy - Alissa Firsova by Alissa Firsova, Tippett Quartet, Nicholas Crawley, Tim Hugh, Ellie Laugharne, Simon Mulligan, Mark van de Wiel. In terms of popularity, Come down, O maid, from yonder mountain height, Op. 36/1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come down, O maid, from yonder mountain height, Op. 36/1 by Alissa Firsova, Tippett String Quartet is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | G Major | 0 | 9B | 105 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Violin Sonata No. 2 "Quasi una sonata" (Arr. for Cello & Piano): IV. Allegro | Alfred Schnittke, Bozidar Vukotic, Alissa Firsova | A♭ Major | 2 | 4B | 87 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Requiem, Op. 48: Offertoire | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, Stephan Genz, La Chapelle Royale | D Major | 0 | 10B | 64 BPM | ||
Elegie | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | C Major | 0 | 8B | 61 BPM | ||
11 Pezzi infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | E♭ Major | 0 | 5B | 78 BPM |
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