"Symphonie Fantastique, Op. 14: I. Rêveries - Passions" by Hector Berlioz, London Symphony Orchestra, Valery Gergiev was released on September 29, 2014. Symphonie Fantastique, Op. 14: I. Rêveries - Passions appears to be safe for all ages as it is not explicit. The song is number 1 out of 6 in Berlioz: Symphonie fantastique, Waverley by Hector Berlioz, London Symphony Orchestra, Valery Gergiev. Symphonie Fantastique, Op. 14: I. Rêveries - Passions is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie Fantastique, Op. 14: I. Rêveries - Passions by Hector Berlioz, London Symphony Orchestra, Valery Gergiev is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 3: Trio & Chorus: "Allons, il est trop tard!...Je connais donc enfin" | Hector Berlioz, Frederica von Stade, Kenneth Riegel, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 4 | 7B | 110 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Brahms / Orch. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla zingarese. Presto | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 2 | 9A | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM |
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